In Untitled (After Sorlin), by pairing found negatives with selectively blacked-out pages of Pierre Sorlin's book  "The Film in History", I attempt to unveil alternative associations through the displacement of both image fragments and text excerpts.

︎︎︎ Digitised vintage negatives and blacked-out pages from Pierre Sorlin's book The Film in History, Restaging the Past (Oxford: Blackwell, 1980)