My work explores the relationship between
Critical theory and multimedia experiences. With influences as diverse as Kafka
and Joni Mitchell, new tensions are manufactured from both opaque and
transparent textures.
Ever since I was a pre-adolescent I have been
fascinated by the ephemeral nature of the universe. What starts out as
contemplation soon becomes manipulated into a carnival of lust, leaving only a
sense of dread and the chance of a new beginning.
As shimmering derivatives become distorted
through emergent and academic practice, the viewer is left with an insight into
the edges of our era.
Now, that was written by a bot.
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here > artybollocks.com
What I really like to do is stuff with things.
Research
Studio practice
Teaching
Academic education
PhD in Fine Arts - Photography, University of Lisbon, Faculty of Fine Arts (FBAUL), with FCT Doctoral Studies Fellowship SFRH/BD/91327/2012
Master Degree in Fine Arts - Painting (FBAUL)
Degree in Fine-Arts - Painting (FBAUL), specialisation in photochemical photography and darkroom practices
Image and Movement course, Centro de Imagem e Técnicas Narrativas do Centro de Arte Moderna José de Azeredo Perdigão, Fundação Calouste Gulbenkian
Selection of exhibitions
ARTeFACTo Macau (MO); Facing the Future, After Shot, Taipei Photo Festival 2020 (TW); SITUATIONS / The Right to Look, Fotomuseum Winterthur (CH); Selections from the Seagrave Museum, DAAP Gallery (USA); Timelessness, Ars Electronica, Campus Exhibition (AT), Athens Photo Festival (GR); FORMAT19 (UK); Binary/Non-binary, GESTE Paris (FR); Immersive | Imersivo, Stereo & Immersive Media18, SNBA (PT); Failure is a Given, Archivo Studio, (PT); Face-Value: Personification and Identity in a Post-Digital Age, Liverpool John Moores University (UK); O Chiado da Dramaturgia e da Performance - Arte na Esfera Pública, Museu Arqueológico do Carmo (PT); Finalistas, Mestrado em Pintura, Galeria da FBAUL (PT); XV Biennial of Young Artists from Europe and the Mediterranean (GR); eCREA Prize (ES); Jovens Criadores 09, Palácio D. Manuel (PT); Pandora’s box, BAC!10, International Festival of Contemporary Art (ES); Finalistas, SNBA (PT); 3.41, Interpress (PT).
AIR
Halaqat Media Arts Residency, organised by Bozar Centre for Fine Arts (Brussels), and the Goethe Institute, at iMAL (Belgium), co-financed by European COmission (EU-LAS CULTURE)
In-Situ: Hong Kong Artist Residency (Kowloon, HK) and V54 (Happy Valley, HK) with a Fundação Oriente Grant
Recent publications include
Archivo Platform (PT); Revista Invisibilidades (PT); FLAT Journal UCLA (USA); Flanzine (PT); Post-Screen Research Project - Unspoken Dialogues, Intermittence+interference, Post-Screen: device, medium, and concept (PT); DAKAM Research Centre (TR);
Recent talks and conferences about my practice
IBÉRICAS 2020, Universidad Rey Juan Carlos (ES, online); #18.ART: Of the admirable order of things: art, emotion and technology (PT); Waking Life Festival (PT); Stereo & Immersive Media Conference 18 (PT); FEMeeting (PT); The European Conference on Arts & Humanities ECAH2017 (UK); Seventh Conference on The Image, Liverpool John Moores University (UK); CONTEMPHOTO’16: International Visual Culture and Contemporary Photography Conference Istambul (TR); Post-Screen: Um projecto de investigação em arte”. FBAUL (PT).
Full cv upon request.
contact@anateresavicente.com
Instagram
PhD in Fine Arts - Photography, University of Lisbon, Faculty of Fine Arts (FBAUL), with FCT Doctoral Studies Fellowship SFRH/BD/91327/2012
Master Degree in Fine Arts - Painting (FBAUL)
Degree in Fine-Arts - Painting (FBAUL), specialisation in photochemical photography and darkroom practices
Image and Movement course, Centro de Imagem e Técnicas Narrativas do Centro de Arte Moderna José de Azeredo Perdigão, Fundação Calouste Gulbenkian
Selection of exhibitions
ARTeFACTo Macau (MO); Facing the Future, After Shot, Taipei Photo Festival 2020 (TW); SITUATIONS / The Right to Look, Fotomuseum Winterthur (CH); Selections from the Seagrave Museum, DAAP Gallery (USA); Timelessness, Ars Electronica, Campus Exhibition (AT), Athens Photo Festival (GR); FORMAT19 (UK); Binary/Non-binary, GESTE Paris (FR); Immersive | Imersivo, Stereo & Immersive Media18, SNBA (PT); Failure is a Given, Archivo Studio, (PT); Face-Value: Personification and Identity in a Post-Digital Age, Liverpool John Moores University (UK); O Chiado da Dramaturgia e da Performance - Arte na Esfera Pública, Museu Arqueológico do Carmo (PT); Finalistas, Mestrado em Pintura, Galeria da FBAUL (PT); XV Biennial of Young Artists from Europe and the Mediterranean (GR); eCREA Prize (ES); Jovens Criadores 09, Palácio D. Manuel (PT); Pandora’s box, BAC!10, International Festival of Contemporary Art (ES); Finalistas, SNBA (PT); 3.41, Interpress (PT).
AIR
Halaqat Media Arts Residency, organised by Bozar Centre for Fine Arts (Brussels), and the Goethe Institute, at iMAL (Belgium), co-financed by European COmission (EU-LAS CULTURE)
In-Situ: Hong Kong Artist Residency (Kowloon, HK) and V54 (Happy Valley, HK) with a Fundação Oriente Grant
Recent publications include
Archivo Platform (PT); Revista Invisibilidades (PT); FLAT Journal UCLA (USA); Flanzine (PT); Post-Screen Research Project - Unspoken Dialogues, Intermittence+interference, Post-Screen: device, medium, and concept (PT); DAKAM Research Centre (TR);
Recent talks and conferences about my practice
IBÉRICAS 2020, Universidad Rey Juan Carlos (ES, online); #18.ART: Of the admirable order of things: art, emotion and technology (PT); Waking Life Festival (PT); Stereo & Immersive Media Conference 18 (PT); FEMeeting (PT); The European Conference on Arts & Humanities ECAH2017 (UK); Seventh Conference on The Image, Liverpool John Moores University (UK); CONTEMPHOTO’16: International Visual Culture and Contemporary Photography Conference Istambul (TR); Post-Screen: Um projecto de investigação em arte”. FBAUL (PT).
Full cv upon request.
contact@anateresavicente.com