Education

2019 — PhD in Fine Arts - Photography, University of Lisbon, Faculty of Fine Arts (FBAUL)
2011 — Master Degree in Painting (FBAUL)
2007 — Degree in Fine-Arts - Painting (FBAUL)
2005 — Image and Movement course, Centro de Imagem e Técnicas Narrativas do Centro de Arte Moderna José de Azeredo Perdigão, Fundação Calouste Gulbenkian

Exhibitions (selection)

2020 — SITUATIONS / The Right to Look, Fotomuseum Winterthur, CH
2020 — Selections from the Seagrave Museum, DAAP Gallery, USA
2020 — Palimpsesto, Museu de Penafiel, PT
2019 — Timelessness, Ars Electronica, Campus Exhibition, Linz, AT
2019 — Light | Sensitive | Material, Artist programme, University of West London, London, Uk
2019 — Athens Photo Festival, Athens, GR
2019 — FORMAT19, Derby, UK
2018 — Binary/Non-binary, GESTE, Paris, FR
2018 — Immersive | Imersivo, Stereo & Immersive Media18, SNBA, Lisbon, PT
2017 — Failure is a Given, Archivo Studio, Oporto, PT
2016 — Face-Value: Personification and Identity in a Post-Digital Age, Liverpool John Moores University, Liverpool, UK
2015 — Oddity, DarkRoom Gallery, Vermont, USA
2015 — Prototypes, Zaratan Arte Contemporânea, Lisbon, PT
2015 — Carrossel, Dona Saudade, Lisbon, PT
2015 — Artis 2015, Casino Estoril Art Gallery, Estoril, PT
2014 — Le Chiado de la Dramaturgie et de la Performance, L’art dans la Sphère Publique, Paris, Marseille, FR
2014 — O Chiado da Dramaturgia e da Performance – Arte na Esfera Pública, Museu Arqueológico do Carmo (MAC), Lisbon, PT
2014 — MÁScaras, Laboratório Galeria, Lisbon, PT
2013 — BespectacleD, Platform Arts Belfast, Belfast, UK
2012 — Narcisa (solo exhibition), Centro de Artes e Cultura do Tejo, Vila Velha de Ródão, PT
2001 — Finalistas, Mestrado em Pintura, Galeria da FBAUL, Lisbon, PT
2011 — XV Biennial of Young Artists from Europe and the Mediterranean, Thessaloniki, GR
2010 — eCREA Prize, Lleida, ES
2010 — Jovens Criadores 09, Palácio D. Manuel, Évora, PT
2009 — Pandora’s box, BAC!10, International Festival of Contemporary Art, 10th Ed, Barcelona, ES
2009 — Narcisa (Double Life), (solo exhibition), Ordem dos Advogados, Lisbon, PT
2008 — Art Below, London, UK
2008 — XXI Salão Primavera, Casino Estoril Art Gallery, PT
2008 — Jovens Autores 2008, Acto Gallery, Oporto, PT
2008 — Narcisa (solo exhibition), X Biennale of Photography of Vila Franca de Xira, Casa Museu Dr. Sousa Martins, Alhandra, PT
2008 — Narcisa (Double Life),(solo exhibition) João Sousa Valles Gallery, Lisbon, PT
2008 — Narcisa (solo exhibition), Colorfoto Gallery (sponsored by EPSON), Oporto, PT
2008 — Finalistas de Pintura, Sociedade Nacional de Belas-Artes (SNBA), Lisbon, PT
2006 — Bienal de Arte Contemporânea de Aveiro, Aveiro, PT
2006 — T.Zero – Exposição Manifesto, Interpress, Lisbon, PT
2005 — Exposição 3.41, Interpress, Lisbon, PT

Prizes/Grants/AIR

2020 — In-Situ: Hong Kong Artist Residency
2019 — Fundação Oriente Grant
2016 — Graduate Scholar Award: Seventh Conference on The Image, Art and Design Academy, Liverpool John Moores University, Liverpool, UK
2012-2016 – FCT Doctoral Studies Fellowship SFRH/BD/91327/2012
2011 — Portuguese representation at the XV Biennial of Young Artists from Europe and the Mediterranean, Thessaloniki, GR
2010 — eCREA Prize, Lleida, ES
2008 — Honourable Mention, XXI Salão Primavera, Casino Estoril Art Gallery, PT
2008 — Shots Young Photography Contest Finalist, UK

Curatorial Boards

— Co-curation with Prof. Mónica Mendes of the exhibition "Timelessness", Ars Electronica, CAMPUS, Linz, AT, September 2019.
— AURA Festival, Sintra, Portugal. August 2019.
— "Unspoken Dialogues" (PSF2016), Post-Screen Festival: International Festival of Art, New Media and Cybercultures, Fundação Millennium bcp, Lisbon, Portugal.
— Ferreira, Helena; Vicente, Ana (2014). Post-Screen International Exhibition – Virtual Gallery. Concept, coordination, and curatorship.

Publications (selection)

— Vicente, A. T. (2017). ARCHIVO: In The Age of Visual Culture, Nº 19. Porto, Portugal. ISSN: 2183-2161.
Flanversa (2017). Interview with João Concha (Editor of the (Não) Edições), by João Pedro Azul. Photography.
— Vicente, A. T. (2017). Imagens após imagens: Fotografia e Novos Media. Images after Images: Photography and New Media. ARCHIVO: New Media, In The Age of Visual Culture, Nº 19. Porto, Portugal. ISSN: 2183-2161.
— Vicente, A. T. (2017). The constant flux of reappropriation. A conversation with Clare Strand. ARCHIVO: Vernacular, In The Age of Digital Culture, Nº 17. Porto, Portugal. ISSN: 2183-2161
— Vicente, A. T. (2017). Uncertain Territories/ Territórios Incertos. In Moutinho, A. Ferreira, H. Flores, V. Primo, J. Vicente, A.T. (Eds). (2017). Unspoken Dialogues. Lisboa: Edições Universitárias Lusófonas e Faculdade de Belas-Artes da Universidade de Lisboa, ISBN: 978-989-8771-10-0.
— Vicente, A. T. (2017). Clare Strand: The photographic practice as a shape-shifting puzzle / Clare Strand: A prática fotográfica como um puzzle em constante transformação. In Moutinho, A. Ferreira, H. Flores, V. Primo, J. Vicente, A.T. (Eds). (2017). Unspoken Dialogues. Lisboa: Edições Universitárias Lusófonas e Faculdade de Belas-Artes da Universidade de Lisboa, ISBN: 978-989-8771-10-0.
— Moutinho, Ana; Ferreira, Helena; Flores, Vitor; Primo, Judite; Vicente, Ana Teresa. (Eds). (2017) Unspoken Dialogues, Exhibition catalogue, Lisboa: Edições Universitárias Lusófonas e Faculdade de Belas-Artes da Universidade de Lisboa, ISBN: 978-989-8771-10-0.
— Moutinho, Ana; Vicente, Ana Teresa, Ferreira, Helena; Pinto, José Gomes, Primo, Judite (Eds.). (2016) Post-Screen: Intermittence+Interference, ISBN: 978-989-8771-56-8 Lisboa: Edições Universitárias Lusófonas e Faculdade de Belas-Artes da Universidade de Lisboa/Centro de Investigação e Estudos em Belas-Artes.
— Vicente, Ana Teresa (2016), The Object-Photograph: Materiality, Identity and Gesture. In On Identity Issues in Relation to Photographic Image and Visual Culture, ed. Berfu Ayhan, 62-70. ISBN: 978-605920731-7. Istambul: DAKAM (Eastern Academic Research Center).
— Ferreira, Helena; Vicente, Ana (2014). Post-Screen: Device, Medium and Concept ed. 1, ISBN: 978-989-8771-10-0. Lisboa: CIEBA-FBAUL.
Flanzine #19 Obscenum (March 2019).
Flanzine #16 Pele (December 2017).
Flanzine #4 Carrossel (June 2014).
Flanzine #3 Boca (March 2014).
— Park Magazine #1 (2010).
— Jornal de Letras (30 July to 12 August 2008): “Narcisa”, Professor Rocha de Sousa, pp. 26 e 27.
— Shots Photography Directory (September 2008): “Shots Young Photography Contest Finalist”, sponsored by the Young Photographers United.

Conferences and seminars

— Vicente, Ana Teresa (2019). "Gaze and tactility: surface, materiality, and codification". Artist talk at #18.ART: Of the admirable order of things: art, emotion and technology. FBAUL, Lisbon, PT.
— "Apesar de você”: Art as resistance in the face of power” (2019) Round table discussion; Moderator: Berenika Rozanska; Participants: Ana Teresa Vicente, Lorenzo Scodeller, Miguel Januário, Olaf Boswijk, Waking Life Festival, Crato, PT.
— Vicente, Ana Teresa (2019). “O olhar, a tactilidade e a sua representação em fotografia". Poster presentation. Encontro Ciência 2019, Centro de Congressos de Lisboa, Lisbon, PT.
— Vicente, Ana Teresa (2018). “The Wandering Gaze”. Stereo & Immersive Media Conference 2018, Sociedade Nacional de Belas Artes, Lisbon, PT.
— Vicente, Ana Teresa (2018). “The Wandering Gaze project”. FEMeeting, Naturarte, São Luís, PT.
— Vicente, Ana Teresa (2018). “Wandering Gaze”. Poster presentation. Encontro Ciência 2018, Centro de Congressos de Lisboa, Lisbon, PT.
— Vicente, Ana Teresa (2017). “ARCHIVO: Failure is a Given”, Archivo Studio, Porto, PT.
— Vicente, Ana Teresa (2017) “Image fragments and text excerpts: Narrative, Family Stories and Pierre Sorlin’s The Film in History”, The European Conference on Arts & Humanities 2017 (ECAH2017), Brighton, East Sussex, UK.
— Vicente, Ana Teresa (2016). “Slippery territories: Identity and Gesture in Domestic Photography”, Seventh Conference on The Image, Art and Design Academy, Liverpool John Moores University, Liverpool, UK.
— Vicente, Ana Teresa (2016). “The Object-Photograph: Materiality, Identity and Gesture”. CONTEMPHOTO’16: International Visual Culture and Contemporary Photography Conference. Istambul: Cezayir Meeting Halls, Beyoglu, Istambul, TR.
— Vicente, Ana Teresa (2016). “The Object-Photograph: Materiality, Identity and Gesture”. Poster presentation. Congresso Ciência 2016. Centro de Congressos de Lisboa, Lisbon, PT.
— Ferreira, Helena; Vicente, Ana (2015). “O ecrã como Dispositivo, Medium e Conceito”. Faculdade de Belas Artes da Universidade de Lisboa (FBAUL), Lisbon, PT.
— Ferreira, Helena; Vicente, Ana (2015). “Post-Screen: Um projecto de investigação em arte”. FBAUL, Lisbon, PT.

Coordination

Post-Screen Festival: International Festival of Art, New Media and Cybercultures, Lisboa, Portugal. Editions in 2014 and 2016.

Production

— #18.art conference e EmMeio#11.0 exhibition (October 17th to 20th, 2019), FBAUL, Lisbon, PT.
— Timelessness, Ars Electronica 2019, Campus Exhibition, Linz, AT
— AURA Festival (2018 and 2019), Sintra, Portugal.
— AmadoraBD Festival (2018), Amadora, PT.
— Post-Screen Festival: International Festival of Art, New Media and Cybercultures (2014 and 2016), Lisbon, PT.
— Centro de Arte e Imagem (CAI), Instituto Politécnico de Tomar (2010-2012), Tomar, PT.

Internships

— Programa de Estágios da Administração Central (PEPAC), Centro de Arte e Imagem, Instituto Politécnico de Tomar, 2010-2011.
— Estágio Profissional em contexto real de trabalho IEFP, Centro de Estudos de Arte e Arqueologia, Instituto Politécnico de Tomar, 2012.

Catalogues

– Leopoldseder, H.; Schöpf, C.; Stocker, G. (Eds). "Out of the Box: The Midlife Crisis of the Digital Revolution", Ars Electronica 2019, Festival for Art, Technology, and Society. ISBN 978-3-7757-4576-5. Berlin: Hatje Cantz. Pp. 316-317.
— AAVV (2019), “Athens Photo Festival 2019”. ISBN: 978-960-518305-9. Athens: Hellenic Center for
Photography. Pp. 84-85.
— AAVV (2019), “FOREVER/NOW: Ninth FORMAT International Photography Festival”, ISBN: 978-0-9954611-7-8. Derby: QUAD Publishing. P. 89.
— Quaresma, José (Coord.). (2014) “O Chiado da Dramaturgia e da Performance, Arte na Esfera Pública, Lisboa-Paris-Marselha”. ISBN: 978-989-8300-92-8. Lisboa: Faculdade de Belas-Artes da Universidade de Lisboa/Centro de Investigação em Belas-Artes; Laboratoire d’Études en Sciences des Arts. Aix-Maseille Université. Pp. 232-233.
— Gonçalves, Luís Jorge; Queiroz, João Paulo; Nunes, Isabel; Lia, Ana; Reis, Jorge dos (Coord.). (2011) “FBAUL 2008-2011 Prémios/Awards”. ISBN: 978-989-8300-25-6. Lisboa: Faculdade de Belas-Artes da Universidade de Lisboa. Pp. 44-45.
— Sabino, Isabel (Coord.). (2010) “Teses de Mestrado Pintura 2008-2010”. Lisboa: Faculdade de Belas-Artes da Universidade de Lisboa. Pp. 12-13.
— Vilamajó, Jesus (Coord.), (2010) “Premi Ecrea. Emergent: Photography and Visual Arts International Festival”. Dipòsit legal: L-1353-10. Lleida: Intitut D’Estudis Ilerdencs, Fundació Pública de la Diputació de Lleida. Pp. 48-55.
— Gouveia, Paulo (Coord.) (2009) “Jovens Criadores 2009”, ISBN: 978-989-8266-02-6. Maia: Clube Português de Artes e Ideas. Pp. 52-53.
— Carvalho, Lima de (Coord.).(2008) “Finalistas de Pintura 06’07. Senior Students 06’07”. ISBN: 978-989-95394-6-4. Lisboa: Faculdade de Belas-Artes da Universidade de Lisboa. Pp. 22-23.
— Shots Photography Directory (September 2008): “Shots Young Photography Contest Finalists”, Young Photographers United.
— Albino, Claudette (Coord.). (2006) “Bienal internacional de Arte Contemporânea de Aveiro”. Deposito Legal: 250815/06. Aveiro: Aveiroarte. Pp. 20-21.

Training and workshops

— Workshop Processing – FabLab Lisboa, Lisbon, PT
— Workshop Post-Plató (Post-studio practice), with Noé Sendas, PIC.A, PhotoEspaña, Madrid, ES
— Workshop Lightboxes + Lithophanes – Makers In Little Lisbon, Lisboa, PT
— Workshop Hardware Cowboys – Zaratan Arte Contemporânea, Lisboa, PT
— Workshop de Ilustração – CIEAM – FBAUL, Lisboa, PT
— Workshop de Emulsões de Escurecimento Directo POP/Emulsão de gelatina e prata, with Luís Pavão, LUPA, Lisboa, PT
— Curso de Imagem e Movimento (2005-2006), Centro de Imagem e Técnicas Narrativas (CITEN), Centro de Arte Moderna José de Azeredo Perdigão/Fundação Calouste Gulbenkian, Lisboa, PT

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